16 Etudes for classical, steel-string or electric guitar By Jeff Pekarek Jeffery J. Pekarek 6711 Springfield Street San Diego, CA 92114 Copyright 4/24/2000
| Introduction | 1. Little Virgo | 2. Powdered Wigs | 3. Puntos Perfectos |
| 4. Polka and the Jolly Roving Tar | 5. Beyond Virginia | 6. Scordatura | 7. The Crusades |
| 8. CARPATHIANS I: Hungarians and Rumanians | 9. CARPATHIANS II: POLES AND ASHKENAZIM | 10. CARPATHIANS III: THE ROM | 11. CARPATHIANS IV: TRANSYLVANIAN SAXONS |
| 12. ANDALUCIA | 13. THE SLAVE COAST | 14. ROOTS OF JAZZ | 15. SCALES |
| 16. PARNASSUS, THE ABODE OF THE MUSES |
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3. PUNTOS PERFECTOS Centuries ago, Spanish guitarists referred to certain common chord fingerings as ‘puntos perfectos’- perfect points. These were major and minor chord voicings, most of which utilized an open string or two, enhancing resonance. Back in the days before Heavy Metal, some rock guitarists called them ‘power chords’ for the same reason. Later on, changing standards of volume and distortion led to the term ‘power chord’ being applied to drone (root + fifth) voicings. For the nineteenth century guitarist, the perfect power chords were the full first-position voicings of G major, C major, E minor, E major, A minor, A major, D minor, and D major. Today these chords still appear most frequently in all types of guitar music. They are often preferred as tonal centers for compositions. |

